![]() Josie Rourke’s film Mary Queen of Scots (2018) and CW’s Reign (2013-2017) present a queen who is no longer limited to her religious identity as a Catholic martyr, and consequently a weak ruler. However, with the rise of third wave feminism and postfeminism in media, coupled with the increased influence of female directors and writers, Mary’s characterization has shifted from portraying female/emotional weakness and religious sacrifice to female/collaborative strength in hardship and a struggle against patriarchal prejudice. Throughout the twentieth century, Mary was regularly depicted on screen (Ford, 1936 Froelich, 1940 Jarrott, 1971) as a thrice-wed Catholic queen, unable to rule her country due to her feminine nature and Catholic roots. Since Mary Queen of Scots’ execution in 1587, she has become a symbol of Scottish identity, failed female leadership, and Catholic martyrdom. ![]()
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